Review: Made in Heaven (2019)

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I absolutely adored Made in Heaven.

Made in Heaven follows Karan Mehra and Tara Khanna as they manage their wedding planning business which shares a name with the title of the show. It’s a dark take on the wedding industry in India and the show pulls no punches with showing how grim things can get. From scheming parents to blackmail and bridezillas, each episode shows a different wedding for the company while the characters navigate their complicated personal lives.

Karan is gay at a time when it’s illegal in India and his storyline follows his struggles with being who he is and loving who he wants when it risks jail time. Arjun Mathur was absolutely amazing as Karan, I was in awe. His mother is abusive and homophobic, although thankfully his father and brother are wonderfully accepting. His backstory totally broke my heart (there are a lot of flashbacks to explain the characters’ motivations and secrets) and I really hope we see more of Nawab, a man from his past, in season two. Their complicated relationship requires more screen time!

Tara, on the other hand, is married to Adil, who’s cheating on her with her best friend, Faiza, and constantly belittles her upbringing. He’s far richer than her and reminds her of it when they fight. NOT A GOOD LOOK, ADIL. Adil and Faiza really frustrated me throughout the entire season, but otherwise I adored the entire cast. It’ll be interesting to see what happens to them in season two, honestly. Sobhita Dhulipala stole every scene she was in and made you really empathise with Tara despite the character’s sometimes questionable choices. She’s a new to me actress and she’s definitely a new favourite. She really reminds me of Deepika Padukone, actually.

There’s also Kabir Basrai and Jaspreet Kaur, who work for Made in Heaven and are dealing with complications of their own. Kabir often narrates videos of the weddings and they’re always wonderful observations and really tug at your heart. In particular, the storyline where a woman discovers that her fiancé’s family blackmailed her parents into paying a dowry culminates in a powerful moment where the girl walks out of the wedding. Kabir’s closing refrain was so powerful:

‘That’s all it took to shatter centuries of patriarchy. One tiny moment of courage. […] Our women don’t deserve this. Our women are better than this. And if they only believed that.’

SO MANY EMOTIONS. Honestly, the show makes so many good points about politics and religion. I’m so excited for season two!

Review: Il était une seconde fois (2018)

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‘Relationships are all the same, but no one experiences them the same way.’

Il était une seconde fois, or Twice Upon a Time, centres around Vincent and Louise. It’s told out of order, switching back and forth between the past and the present. I did notice it switching from full screen to wide screen as well, so I think that was an intentional method to differentiate between the past and the present. If you don’t pay attention to that, though, it’s easy to get lost. The changes happen without warning.

**contains spoilers**

The series starts off with Vincent basically a drunken mess who’s spiralling into depression and destruction after the end of his relationship with Louise. Over the course of the series, you find out that Vincent and Louise met one night in a pub and instantly hit it off. They agree neither wants a relationship but their chemistry is undeniable and they get into a relationship despite Louise having an unfinished relationship with James, and Vincent still seeing the mother of his son.

One day, a postman leaves a box, ‘the cube’, with Vincent. It’s quite literally just a box. When he’s trying to figure out what it does, he realises the box doesn’t have a back and comes out on the other side nine months in the past with his relationship still intact.

In both timelines, Louise struggles with opening up to Vincent after a traumatic event in her last relationship has left her reeling. It’s revealed later that she was having an affair with a married man and when the wife found out, she jumped in front of a train with Louise there, riddling her with guilt for the rest of her life. 

Madly in love with Louise and wanting to fix their relationship, he goes back and forth between the past with Louise and the present with his son, not wanting to lose either. His inability to pick one leads to both sides missing him and wondering where he’s been for days on end. Louise tolerates it for a time, listening to his ‘story’ about time travel and viewing it as something like method acting for writers. The only person who believes Vincent is his brother, a man struggling with schizophrenia.

In the present, the postman who left the cube keeps stalking him to get the box back, asking Vincent if he can search his house, his car, and generally just being weird. There are a few others who keep up the weirdness and trying to figure out who wants what and why is difficult. The background of the cube is never really explained outside of his brother making a few ideas about light and photons. And there are background figures trying to get the cube back from Vincent, too, but other than a few lines, these characters aren’t delved into. It leaves you with quite a few questions, although I think the point of the series was to make an existential statement rather than a scientific drama.

Overall the series is quite interesting, and Gaspard Ulliel and Freya Mavor have amazing chemistry and their acting is perfection, but I do wish it’d been a few episodes longer, told a little less convolutedly, and the science fiction/time travel explained more.

Show Review: Bates Motel (2013)

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Bates Motel may well be one of the most depressing shows I’ve ever seen in my life – yet I love it. And I can safely say that it joins the ranks of Justified as one of the few shows that knew when and where to end a storyline without dragging it on for eternity. And I liked the ending, which means I can rewatch it and not hate myself.

The show follows Norma Bates and her two sons, Norman and Dylan. There’s also Emma, Norman’s best friend who has cystic fibrosis, and Romero, the town sheriff. A prequel to the Alfred Hitchcock movie Psycho, the show is a modern day prequel to the movie and follows Norman’s descent into madness which Norma constantly tries to cover up. Norma’s a … character. She has more onscreen outbursts and tantrums than any character I can remember, but in fairness to her, she’s had one epically fucked up life. (Again, this is honestly such a bleak show.) She’s so bloody frustrating, though. Sometimes it’s all I can do to not scream at the screen when she has one of her moments. Dylan, the only relatively normal member of the family, doesn’t understand or enjoy the unhealthy relationship and co-dependency of his mother and brother, but he loves them and tries to help how he can. Undoubtedly, the strongest part of the show are the characters, and the actors are absolutely brilliant selling them. The relationship between the brothers is my favourite part, second only to Dylan’s growing relationship with Emma.

Love of the cast/characters is definitely what keeps you going when you’re watching the show and just feel like screaming, IS THERE NO HAPPINESS LEFT IN THE WORLD?! But the plot itself is so intricate and creepy, building slowly with each episode and laying in the horror and mystery of the family and their small motel. If you can handle the bleakness, the violence, the frustration, I thoroughly recommend this little gem of a show. But seriously, have something happy on hand to watch after. This one will tear apart your heart and leave you staring blankly at the wall when you finish.

Recommended for anyone who likes intense dramas, psychological horror and small town mysteries.