Two of my books are currently available on Kindle Unlimited, so if you have an account, you can read them for free!
In the near future, humans have gone beyond simple space travel. By the year 4054, multiple solar systems are inhabited, and taking a spaceship is as commonplace as taking an aeroplane.
Unfortunately, not everything about the future is so advanced. The central planets, led by Earth, have risen high at the expense of cheap labour on distant worlds. Dissent is widespread and arrests are common. Sometimes prisoners are released; sometimes they disappear without a trace, sent to labour camps in other solar systems.
When Ames Emerys receives a letter telling him that his brother Callum has died en route to the remote planet of Kilnin, he takes the first ship he can off Earth, desperate for answers. But the secrets Ames uncovers prove far more dangerous than he could have imagined.
When Eliza Owens gets a phone call in the middle of the night from a girl she’s never met, she doesn’t know what to think. The girl introduces herself as Paige, and says she used to date Erik Stern, Eliza’s fiancé. What’s more, she has something important to discuss.
The only problem? Paige has been dead for years.
Believing it to be a sick prank, Eliza tries to force it from her mind until Sam, Eliza’s older sister, tells her she met Paige only a few weeks before. And, according to Sam, Paige has nothing nice to say about Erik.
The fight which follows shatters the lives of everyone involved, and Erik disappears without a trace.
Five years later, Erik returns to town after his father’s death. Old wounds quickly resurface, and with them several burning questions. None the least of which is: Who spoke to Eliza and Sam if it wasn’t Paige? And why?
I came across a great audiobook yesterday for anyone who is looking for recommendations. It’s by one of my favourite narrators, Joe Jameson, and is a contemporary lgbt+ romance.
Luke believes he has his life figured out…and then he meets Theo.
It should have been simple—a summer spent with his girlfriend Zara at her family’s holiday cottage in Cornwall. Seventeen-year-old Luke Savage jumps at the chance, envisioning endless hours of sunbathing on the private beach and riding the waves on his beloved surfboard. He isn’t interested in love. Though his rugged good looks and lazy charm mean he can have his pick of girls, he has no intention of falling for anyone.
Nothing prepares Luke for his reaction to Theo, the sensitive Oxford undergraduate who is Zara’s cousin and closest friend. All at once, he is plunged along a path of desire and discovery that has him questioning everything he thought he knew about himself. No one, especially Zara, must find out; what he and Theo have is too new, too fragile. But as the deceit spirals beyond their control, people are bound to get hurt, Luke most of all.
Once upon a time, inhabitants of another world tore a hole through the universe and came to Earth. They called themselves Suriias, and rivalled humans in knowledge and skill with one great exception: they had magic.
War followed. Humanity lost. And three hundred years later, humans are on the brink of extinction.
Orphans Thorn and Thistle live in hiding. They are the last of their families, the last of their friends. They scrape by, stealing to survive and living on the streets or hiding in sheds. But even under the brutal regime of the Suriias, there are places where humans can mingle in secret with magical sympathisers, and one night Thistle gets an unexpected offer of marriage from a Suriia with high standing and friends in all the right places. For Thistle, it’s a chance at safety and comfort; for Thorn, it’s a chance to find the ones who killed her parents.
And so the pair move into the capital city of Courtenz. An urban monstrosity of magic and might, false friends and flying cars, drones and death tolls, the new city promises a fresh start – and new love – for both.
But if there’s one thing Thorn knows for certain, it’s that dreams can swiftly turn into nightmares.
I have watched so many good movies lately and they all deserve lengthy reviews, but I’m going to keep these short and sweet for now!
The Trial of the Chicago 7 is honestly fantastically well done. It recounts the court hearing of seven (eight) activists – Abbie Hoffman, Jerry Rubin, Tom Hayden, Rennie Davis, David Dellinger, Lee Weiner and John Froines – charged with starting a riot in Chicago to protest the Vietnam War, and another – Bobby Seale – who wasn’t in the area but is dragged into the court room regardless. If you’ve studied the Vietnam War protests and the Civil Rights and counter culture movements, then this is definitely up your alley. It’s also a harrowing depiction of the brutality and racism so many faced simply for existing. It’s directed by Aaron Sorkin and definitely has his signature take and will grip your heart and not let go.
Ready Player One was so, so brilliant. Knowing Steven Spielberg directed it was what pushed me to give it a go as I wasn’t quite sold on the premise by itself. I’m not a gamer or into virtual reality, so the prospect of a dystopian future where VR is the only good thing wasn’t quite what I had in mind. But I gave it a go and I’m delighted that I did! The visuals are amazing, the Easter eggs and throwbacks to retro games, 80s music and classic movies were super cool. It felt like a love letter to pop culture wrapped up in a dystopian adventure and I enjoyed every second. In fact, I liked it so much that I watched it twice in a row: once alone and then again with my partner after work because I knew it would be in his lane. And he adored it, so win!
About Time was such a lovely rewatch! I saw it a few years ago but I wanted to show it to my partner because I think the message of the film is genuine and sincere and wholesome. It’s a movie to watch when you need uplifting, yanno? It follows a family where the first born sons have the ability to travel through time. Tim, the main character, at first tries to use the power to fix his love life, but quickly learns that even with time travel, things aren’t that simple. The focus of this story is characters, their relationships and on the importance of appreciating every moment of life. The fantasy/science fiction aspect takes a backseat and is never explained beyond we can time travel, but it works very well and it’s a movie I can see myself rewatching a lot because it’s just so darn lovely.
The Aeronauts was absolutely fantastic. It’s inspired by real events, so it’s not a direct take on history. Basically, the film follows real life meteorologist James Glaisher and fictional pilot Amelia Wren (Amelia Rennes is also used in the film, perhaps because her surname is Anglicised from her French husband’s? Not sure, not explained). Anyways, Amelia Wren is a composite character based on a few real life female aviators: Sophie Blanchard and Margaret Graham. Her husband is partially inspired by Jean-Pierre Blanchard and Thomas Harris. James and Amelia and the events the characters go through in the film are used to really cover the era, and I like what the director’s trying to do. It’s important to note that James’ real life historical partner, Henry Coxwell, isn’t included, and I understand the criticism of omitting his role in James’ flight, but the director’s reasoning of wanting to represent the female aviators of the time makes sense. It’s not meant to be a documentary, it’s an inspirational film based in history, so just go into that knowing the divergence. James is real, Amelia is fictional, but the end result is wonderful.
In the film, two years after Amelia’s husband Pierre falls to his death from a hot air balloon, she’s coaxed back into the skies by James, a scientist determined to prove that you can predict weather (he’s the father of weather forecasting, basically), but he’s been laughed out of the Royal Society in London for his ideas, which many claim are far-fetched and based in fantasy. He and Amelia agree to try and outdo the French record of reaching 23,000 feet while taking readings as they go up, in an effort to help James understand weather patterns. The intensity of the flight cannot be overstated and I gasped throughout the entirety of it, but it was brilliantly done. Absolutely fantastic movie! I’d love to see a documentary on the era and James Glaisher’s real life flight with Thomas Coxwell if anyone knows of any docs? Also, any docs on female aviators, please send my way!
Jupiter Ascending was definitely unexpected but I’m glad I finally watched it! I never got into The Matrix (much to everyone’s horror, I know) but I absolutely adored Sense8, so I figured I would give this one a go (same directors). I don’t know if I loved it as much as I wanted to (and considering how much I adore Eddie Redmayne and Sean Bean as actors), but there was definitely a lot to like. Visually it was gorgeous and I thought the plot was fascinating. The idea of other creatures engineering the start of Earth, mass civilisations out there in the galaxy, all very cool. If you’re a fan of space opera, this one is well worth a go!
A Discovery of Witches (All Souls Trilogy #1)
by Deborah Harkness
‘I saw the logic that they used, and the death of a thousand cuts as experimental scientists slowly chipped away at the belief that the world was an inexplicably powerful, magical place. Ultimately they failed, though. The magic never really went away. It waited, quietly, for people to return to it when they found the science wanting.’
TEA! WINE! BOOKS! MAGIC!
This book is basically an ode to all the things a historian loves: archival research in old libraries with numerous texts and tomes, historical tangents, philosophical debates, and an investigation into the inexplicable and wondrous. I’m also fairly certain I’ve never encountered two characters who love the history of wine and tea more than Diana and Matthew. Bless their hearts.
A Discovery of Witches is the first in a trilogy that follows the fantastical adventures of Diana Bishop, a professor/witch who is spending her summer in Oxford for research on alchemical texts. But it’s in the archives that she stumbles upon something: a book that everyone in the magical world wants to get their hands on. Diana, though a witch, wants nothing to do with magic and pretends not to notice the book or its magical ~allure. That is, until a vampire named Matthew Clairmont catches her notice.
Matthew, along with an entire library of magical onlookers (i.e. magical stalkers), all want the book. For some reason, though, only Diana has ever been able to access it. This discovery leads to a spiral of events that put Diana in danger as various vampires and witches try to get the book. Few of the book’s seekers care about Diana’s wellbeing, leaving her with only Matthew and her aunts to help. Her aunts, Sarah and Emily, were wonderful! Very motherly. They’re both witches themselves and I love their scenes. I also loved Matthew’s relationships with his family: especially Marcus, his son and Ysabeau, his mum. The story eventually leads the main couple from England to France and then to the United States, so there’s a good bit of setting changes. The library scenes were probably my favourite, though!
This is a vampire tale quite different from Buffy or Vampire Diaries. I was reminded a bit of Twilight at the start, but not because the storylines are the same (they’re not) or because Diana is similar to Bella (she isn’t), or because the vampires are similar (they’re totally, totally, totally different), but rather because Matthew reminded me a bit of Edward at the start. That sort of quiet, reserved, chivalrous type who lurks in the shadows. That changed pretty quickly, though. Matthew is much, much darker than Edward. His history is long and brutal and he makes no attempts at hiding it. There are some seriously interesting events in history that he’s been party to. This is a book that lauds history, so you do get a lot of historical moments re-imagined through the lens of vampires and witches, which was seriously cool. Diana and Matthew are the epitome of researching academics, which I adore ♡ Their chemistry is also unreal.
I’m definitely curious about book two, Shadow of Night, especially given that ending! OH MY GOSH.
Has anyone else read this trilogy? Or seen the show?
Oh my gosh, The Innocent Man has me hooooooooked. If you like intense dramatic romances, this one is fantastic. I’m only about six episodes in, but I can’t stop! (It’s on Netflix as Nice Guy, if you’re looking!)
[I keep writing reviews for these shows before I’ve finished them but I just have a lot of EMOTIONS and OPINIONS so bear with me (and also there are some spoilers for the first six episodes herein, so if you don’t like spoilers, avoid until you’ve seen the show!).]
The main characters are Kang Ma-ru, Seo Eun-gi, Han Jae-hee, Kang Choco and Park Jae-gil. At the start, Kang Ma-ru’s madly in love with Han Jae-hee. They grew up together without money and have been together for years. There’s nothing Kang Ma-ru wouldn’t do for her. One night, after proving himself in medical school, he comes home to find his sister unconscious on the floor. Choco suffers from a long term illness and is constantly fainting and needing medical care. He’s in the process of bringing her to hospital when Jae-hee calls him, frantic. Torn between his sister and his girlfriend, he promises his sister that he’ll be right back, she only has to count to 500, and he runs to Jae-hee.
At a hotel, he finds Jae-hee sitting beside a dead body. They panic about what’s going to happen and in a spur of the moment decision, Ma-ru takes the fall. He’s kicked out of medical school and goes to prison, Choco’s health worsens, and Jae-hee ends up marrying a rich older man.
Five years later, Ma-ru’s jaded and furious. He’s on a flight when he encounters Seo Eun-gi, an heiress and step-daughter to Jae-hee. When Eun-gi faints onboard the plane, he uses his medical knowledge to save her life. In the process, he encounters Jae-hee once more.
Later, Jae-hee comes to his house and offers him compensation for taking the fall. Disgusted, Ma-ru returns the money but he gets caught in the crossfire between Jae-hee and Eun-gi, and is accused of blackmailing the family for money. So, that’s twice now that Jae-hee’s got him into trouble with the law.
I don’t know what to think about Jae-hee, honestly. She’s a really interesting and well developed character. Like, I cannot stand her in most of her scenes, but I do feel deep empathy for what her character experiences before the start of the show. She’s truly broken and terrified of going back to where she came from, so even though she’s manipulative and awful at times, she’s an interesting character and I hope she finds peace by the end. Also, her chemistry with Ma-ru is unreal and their scenes can be really heartbreaking.
Both of the women have great side relationships outside of Ma-ru and the love triangle, too. Eun-gi is close with Park Joon-ha, who’s been her friend all her life and fights for her within the company she runs, and always has her back. Jae-hee is close to Ahn Min-young, her husband’s secretary who’s secretly in love with her and helps her fight back against Eun-gi, who’s hated Jae-hee since her father kicked out her mother to make room for Jae-hee. There’s also Choco’s relationship with Park Jae-gil, Ma-ru’s best friend, who lives with them and supports Ma-ru through thick and thin. It’s a really splendid cast overall!
I really adore Ma-ru the most, though. He’s an amazing character. He’s such a good brother to Choco and he loves fiercely even though he’s been deeply hurt by Jae-hee’s actions. I love how his relationship with Eun-gi develops even as he’s battling Jae-hee and their tangled history. There’s so much intrigue and tension and looks. Seriously, this is a show that thrives on glares and side-long glances and I am here for it.
I can’t wait to see how it ends! Has anyone else seen it? If not, you totally should!
Oof. This one’s tough and beautiful.
Marriage Contract deals with two very tough situations: a son dealing with his mother’s illness and his desperation to find her a new liver; and a young mother, hiding from loan sharks after her deceased husband left her a massive amount of debt, who finds out that she has a brain tumour. The pair cross paths when Kang Hye-soo, the young mother, begins working at Han Ji-hoon’s restaurant. She overhears his plans to marry someone and pay for a liver, she offers herself and requests that he gives her enough money so that her daughter Eun-Seong will want for nothing. Not knowing the reasons why, Ji-hoon pays off the loan sharks, marries Hye-soo, and the pair begin to sort out plans for her giving her liver to his mother.
The more time they spend together, the closer they become, but that only makes things more difficult as Hye-soo doesn’t want to share what’s happening to her with anyone or ask for help. Her scenes are absolutely shattering. Ji-hoon’s mother’s storyline is also devastating; his father’s the absolute worst, though.
One of the best parts of this show, other than Hye-soo and Ji-hoon’s relationship, is their relationship with Eun-Seong. She doesn’t warm up to Ji-hoon at first, and is deeply protective of her mother, but soon the pair begin to bond and it’s clear they come to see each other as family. I loved how fatherly he was and how much he cared about both Hye-soo and Eun-Seong.
I’m not gonna lie, this show will make you cry. Constantly. Hye-soo’s pain is so real and all I wanted to do was reach into the screen and hug her. Ji-hoon is such a good son and caretaker and partner. He really grows over the course of the show and I loved his character progression. His dedication to his mother and now-wife are amazing. LOVE IT.
This show is truly wonderful and touches on some really rough topics. I definitely recommend giving it a chance!