David Tennant and Robert Sheehan are two of my favourite actors, so of course I was excited to watch Bad Samaritan when it popped up on my streaming site. I didn’t really know what to expect, though. I didn’t read the summary or watch the trailer beforehand, so I wasn’t expecting David Tennant to be playing a serial killer called Cale Erendreich, who Robert Sheehan’s character, Sean Falco, gets on the wrong side of. For some reason I was expecting a horror-comedy, which this most definitely wasn’t! The movie got so gripping so fast!
The plot follows Sean, a young man who has a side job of robbing rich drivers he valets for. When he steals rich guy Cale’s keys and goes to his house, he stumbles across a girl locked up. Sean immediately tries to free her, but he can’t get her out and she warns him that Cale has a camera on the room. Panicking, Sean leaves the house and returns to his friend at the restaurant, just in time to get the car back to Cale, who’s growing suspicious. Sean calls the police but Cale is two steps ahead of him. Determined to help her, Sean goes to the police station himself, and then the FBI. All the while, Cale’s figured out that Sean’s on to him and he’s moved the girl, Katie, and is doing his utmost to wreck Sean’s life.
I felt so awful for Sean’s girlfriend Riley throughout the entire film. Derek, Sean’s best friend and partner, is a great side character, too. Cale was a truly terrifying character, but David Tennant is such a great actor. Honestly. Robert Sheehan is as brilliant as ever and I really liked his character Sean.
This film is definitely worth a watch! It was very well written and directed, and I enjoyed the performances of the entire cast.
Heart-punching horror is a hard one to watch. Especially when so much of it is grounded in real events. And so begins His House, a horror film set in modern England that follows a couple from South Sudan, Bol (Ṣọpẹ Dìrísù) and Rial (Wunmi Mosaku), who have just gained a house and some small amount of freedom outside of the detention centre for refugees. They’re to get less than £80 a week (total), are not allowed to work to supplement this income, are not allowed to have parties or even have candles in their home. And the home they are given, even before you realise that it’s haunted, is filled with bugs, rubbish and the door is not even hanging in there.
The treatment of refugees is front and centre in this film and is utterly depressing and haunting. One of the rare nice moments happens when a local member of a church gives Bol a box of food and supplies, but few of their neighbours are kind and welcoming. And, very quickly, the problems with the house multiply and the unexplained horrors add to the couple’s already tough predicament.
This is a very important commentary about the hurdles and discrimination refugees face wrapped up in a horror story that focuses as much on the reality of immigration as on the paranormal.
I’m a huge fan of Southern Gothic as a genre, although I actually only learned today that the name for the genre started out as an insult. Ellen Glasgow was criticising Erskine Caldwell and William Faulkner and labelled them as ‘Southern Gothic’ and the name stuck. This was in 1935. But I really like the tone of Southern Gothic literature and cinema. True Blood (2008) and The Gift (2000) are the first things that usually spring to mind when I think of the genre, although I feel like Justified (2010) has some Southern Gothic vibes. If there’s such a thing as Modern Western Gothic, I’d put Justified in that category!
Continuing on with my October horror movie marathon, I picked up The Skeleton Key. The film follows a hospice nurse who quits her job because she finds that not enough people care about the patients, and takes a month-long job in the bayou at an old plantation house, caring for the ailing owner. She’s brought in by the estate agent, much to the wife’s frustration, but decides to stick it out.
Things are instantly eventful. There are no mirrors in the house, leading to a sense of foreboding, and the old man seems to be trying to communicate with Caroline, the nurse. As time goes on, more and more strange things start to happen. And then Violet, the wife, tells Caroline about the house’s history and the horrible things done by the previous owners.
You can see where this is going.
I’m not sure that angle really worked for me. It just made me really sad. Plantations hold devastating histories and having that incorporated into the storyline left me gloomy. I did think the actors did a good job, and I certainly didn’t see the ending coming, but overall this movie wasn’t for me.
I’m definitely not a fan of gore-horror. And yet for some reason I’ve still seen a good number of them? I don’t know. I’m easily grossed out and scared, but sometimes I’m also in the mood for an over the top kind of flick. So today I decided to rewatch Friday the 13th (2009). I’m not really into the franchise (again, I like my horror spooky, not gore-y), but I like the casting of this film: Jared Padalecki, Danielle Panabaker and Ryan Hanson are all fantastic, so I sort of endure the gore.
I think Jason is probably one of the scariest film villains of all time. Like, I have absolutely no desire to watch Freddy V Jason. I am a wimp. But I previously watched this one when it first came out because I was watching Supernatural at the time and I made a point of watching all of Jensen Ackles’ and Jared Padelecki’s filmography. I also watched My Bloody Valentine 3D (2009) right around the same time. And it’s funny that I’m so scared of horror given that Supernatural was my favourite show of all time when I was younger. But I suppose half the fun of watching a horror movie/show is scaring yourself. And this one is certainly frightening!
What I like about Friday the 13th (2009) is Clay’s determination to find his sister. I really like those kinds of characters. I didn’t care much for any of the other characters apart from Clay, Jenna and Whitney, but they’re in the majority of the film and bring good characterisation to an otherwise nonstop gore fest, which is a plus.
I’m not sure if this made me inclined to see the original, but if you like terrifying movies with lots of screaming, this might be up your alley. I’m mostly just glad I watched it during the day time and not while staying at a cabin by the lake.
I love comedy-horror and for some reason, in the middle of July, I decided to watch Krampus. At eight am, on a Sunday morning. Because sure, why ever not?
Krampus follows the Engel family on Christmas Eve when their relatives come over for holiday dinner. (The rudeness of the guests sparked a long discussion with my partner about how silly it is to subject yourself to a rotten holiday, but I digress.) My heart broke for little Max, who desperately wants to believe in Santa Claus and who writes a letter to the North Pole, wishing for good things for his family. His cousins find the letter and ridicule him at the dinner table. That no one stepped in really, really annoyed me. Only his sister came to his aid.
Terribly upset, Max rips up his letter to Santa and throws it out the window. Cue the dark and stormy night~
The next morning, a blizzard has struck the neighbourhood, the electricity is out and everyone’s trapped inside. When Beth, Max’s older sister, goes out to check on her boyfriend, the horror really sets in. And so begins a gruesome Christmas where the family must work together to survive Krampus and his gingerbread men and deadly demon toys. The gingerbread men were definitely a highlight! Think Shrek but make it Chucky.
The casting of this one was absolutely on point. Adam Scott and Toni Collette lead the film and are as wonderful as always. I feel like Adam Scott should do more horror-comedy. (He was great in Little Evil, too!) Emjay Anthony did a brilliant job as young Max, and Allison Tolman and David Koechner made a great duo even if the characters could be frustrating.
If you love comedy-horror, definitely check this one out! Although it’s probably better not to watch it on Christmas 😉