Film Review: The Skeleton Key (2005)

I’m a huge fan of Southern Gothic as a genre, although I actually only learned today that the name for the genre started out as an insult. Ellen Glasgow was criticising Erskine Caldwell and William Faulkner and labelled them as ‘Southern Gothic’ and the name stuck. This was in 1935. But I really like the tone of Southern Gothic literature and cinema. True Blood (2008) and The Gift (2000) are the first things that usually spring to mind when I think of the genre, although I feel like Justified (2010) has some Southern Gothic vibes. If there’s such a thing as Modern Western Gothic, I’d put Justified in that category!

Continuing on with my October horror movie marathon, I picked up The Skeleton Key. The film follows a hospice nurse who quits her job because she finds that not enough people care about the patients, and takes a month-long job in the bayou at an old plantation house, caring for the ailing owner. She’s brought in by the estate agent, much to the wife’s frustration, but decides to stick it out.

Things are instantly eventful. There are no mirrors in the house, leading to a sense of foreboding, and the old man seems to be trying to communicate with Caroline, the nurse. As time goes on, more and more strange things start to happen. And then Violet, the wife, tells Caroline about the house’s history and the horrible things done by the previous owners.

You can see where this is going.

I’m not sure that angle really worked for me. It just made me really sad. Plantations hold devastating histories and having that incorporated into the storyline left me gloomy. I did think the actors did a good job, and I certainly didn’t see the ending coming, but overall this movie wasn’t for me.

A Glimpse into the Gothic

Gothic as a genre is something that’s always intrigued me. I love the idea of dark, spooky manors, of mysteries that lurk beneath, of fog and shadows and whispers. Of course, being named after a Gothic novel – Daphne du Maurier’s Rebecca (1938) – probably has something to do with it, but I’m always wanting more. Give me the ghostly, the haunted, the mysterious, and bring it dressed in pale colours, windswept and chilling. Bring it in gorgeous architecture, in castles and manors, in forests and fields and by the sea, with grey skies and constant rains.

The first novel I ever remember properly encountering and identifying as ‘Gothic’ was Northanger Abbey (1871) by Jane Austen. Then there’s Charlotte Brontë’s Jane Eyre (1847), Emily Brontë’s Wuthering Heights (1847) and Gaston Leroux’s Le Fantôme de l’Opéra (1909), which are probably some of the most well known classics. Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886) is on my list, although I haven’t read it yet. I’ve always known the peripheries of this story, but don’t actually know the finer points of the story, so I’d like to read it properly soon. Actually, add Dracula (1897) to that list as well because even though I’m familiar with the names of Count Dracula, Mina, Harker and Van Helsing, and the ins and outs of vampire lore, I haven’t actually read the novel itself. I’ve started it, but never delved in. Must fix this! Carmilla (1872) and Frankenstein (1818), too. For those who don’t know, Frankenstein is considered the first science fiction novel by many! And I adore Mary Shelly and studied her mother Mary Wollstonecraft for college, so I really must read the whole darn thing at some point. I also want to properly read The Picture of Dorian Gray (1891) as I love Oscar Wilde and I’ve seen the adaptation (2009) with Ben Barnes. I very much recommend that one, by the way!

As for more modern stories, I really want to check out Mexican Gothic (2020) by Silvia Moreno-Garcia and can’t wait to get enough time to actually sit down and read it. I’m also curious about Other Words for Smoke by (2019) Sarah Maria Griffin.

There are also a great many wonderful Gothic films and shows worth checking out. I loved Sleepy Hollow (1999) and Underworld (2003) when they first came out, both bringing a bit of action and horror into the genre. And when The Haunting of Hill House (2018) – based on the book by Shirley Jackson (1959) – first came out, I was immediately intrigued. Of course, I wasn’t able to start it straight away due to a busy schedule, but I loved the look of it. (I’ve since started it and it’s great.) The Haunting of Bly Manor (2020), based on Henry James’ The Turn of the Screw (1898) and other stories, dives right in with a woman telling a spooky tale from the 1980s in England and I’m already on episode three. I’m loving the aesthetics. I’m used to Gothic settings in the 1880s, and seeing it set in the 1980s is a great contrast. I love me some old-timey spookiness, but it’s great to see other decades enter the genre. Crimson Peak (2015) was particularly gruesome, but engrossing all the same. Guillermo del Toro is always good and his signature style really comes through in this one. The cast is also amazing! If you haven’t seen this one yet, I definitely recommend it. Be warned, though, things are twisty in this one! And then of course, Penny Dreadful (2014), which was cancelled much too soon.

I also really like Southern Gothic, which needs more love! True Blood (2008) is a great example, and I really enjoyed the show. When I think of Southern Gothic, the introduction to that show is the first thing that springs to mind. Winter’s Bone (2010) and Mudbound (2017) are also well worth a watch. The Gift (2000), is truly traumatising from what I remember, but it definitely fits the bill of a Southern Gothic! I also watched The Devil All the Time (2020) a couple of weeks ago and it was intense, but definitely engrossing. Justified (2010) could also probably be added to this list, but it’s more Western procedural in my mind. The show is based on Elmore Leonard’s books and it’s one of my top favourite series of all time either way, so if you haven’t seen it, you totally should! The cast is stellar.

There’s so many more books, films and shows that belong on this list, so this is by no means exhaustive!

Do you like Gothic – or a subgenre of Gothic – fiction or romance? Any recommendations? I’d love to know!

Top Books of 2019

type

The Lessons by Naomi Alderman | 5/5 | LGBT, Fiction

‘A man made of smoke.’

Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam Higginbotham | 5/5 | Nonfiction

‘If we survive until the morning, we’ll live forever.’

The Fever King (Feverwake #1) by Victoria Lee | 5/5 | LGBT, Fantasy, Dystopian

‘He didn’t plan anything. There was nothing to plan – he didn’t have contingencies, no connections in clandestine places who knew how to make a man disappear. All he had was impulse and the flash-fire certainty that yes, yes, this was the right thing to do.’

The City Always Wins by Omar Robert Hamilton | 5/5 | Nonfiction

‘We are surrounded by the conversations we didn’t have.’

Spellbook of the Lost and Found by Moïra Fowley-Doyle | 5/5 | LGBT, Magical Realism

‘Maybe it’s more about firsts. Maybe every first is a loss.’

If We Could Go Back (Camassia Cove #6) by Cara Dee | 4/5 | LGBT

‘Everything was black-and-white until you grew up and saw gray everywhere. There were millions of rights and wrongs in our lives, and blame could be placed with all of us.’

One Nation Under God: How Corporate America Invented Christian America by Kevin M. Kruse | 5/5 | Nonfiction, US History, Politics, Religion

‘In 1954, Congress followed Eisenhower’s lead, adding the phrase “under God” to the previously secular Pledge of Allegiance. A similar phrase, “In God We Trust,” was added to a postage stamp for the first time in 1954 and then to paper money the next year; in 1956, it became the nation’s first official motto. During the Eisenhower era Americans were told, time and time again, that the nation not only should be a Christian nation but also that it had always been one. They soon came to believe that the United States of America was “one nation under God.” And they’ve believed it ever since.’

The Monsters We Deserve by Marcus Sedgwick | 5/5 | Gothic Fantasy

‘Yet every writer worth a good-god damn knows this too, for it is graven into each of us: no one cares for beauty. Not in fiction. Not on its own, not pure, untroubled beauty; not in fiction. It’s what we crave in the real world, of course; beauty, and you know I mean that in its broadest sense: the sense of kindness and wisdom and peace and joy: all the things in the world that are beautiful, and all the things we crave in real life, but which are not sufficient to count, on their own, for anything in the world of stories.’

Notes on Nationalism by George Orwell | 5/5 | Political Essays

‘The point is that as soon as fear, hatred, jealousy and power worship are involved, the sense of reality becomes unhinged. And, as I have pointed out already, the sense of right and wrong becomes unhinged also.’

We Will Not Be Strangers: Korean War Letters between a M.A.S.H Surgeon and His Wife
by Dorothy G. Horwitz (Editor) & Mel Horwitz | 5/5 | Nonfiction, Military History, Letters, Korean War

‘Men killing, destroying, sitting in cold and mud and filth. Do they really hate each other? I doubt it.’

Rule Breaker (Mixed Messages #1) by Lily Morton | 4.5/5 | LGBT Romance

‘Tradition comes from something being so brilliant and such a good memory, that you try to recreate it every time that you can.’

Deal Maker (Mixed Messages #2) by Lily Morton | 4.5/5 | LGBT Romance, Comedy

‘Thank you for enquiring whether I do my own stunts. The simple answer is no. They tell me jumping a puddle is safe, but what would they know? I could slip and damage my face, and then where would the world be?’

Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators by Ronan Farrow | 5/5 | Nonfiction, Politics, Feminism

‘In the end, the courage of women can’t be stamped out.’

Horatio by T.J. Klune | 4/5 | LGBT Romance, Short Story | **freely available at the author’s site**

‘“What happened to free will?”

He snorted inelegantly. “Who knows? It’s one of the great secrets of the universe. Maybe it was fate, maybe it was destiny, or maybe it was nothing at all and we’re just two people in the middle of cosmic nonsense clinging to each other because we can.”’

The one I am currently reading looks like it will make a top list, too, so I’m adding it below. It’s giving me serious Firefly vibes so far which is always a good thing!

Adrift by Rob Boffard | Science Fiction, Outer Space

‘He really, really doesn’t want to die. Not by freezing, not by suffocating, not by anything, not ever. If he dies now, he’ll never fly a ship, never go to flight school […] He’ll never be able to help Mom and Dad stay together, and he’ll never get to tell Mal that he’s a giant dick for filming him while he was in trouble.’

There were so many good books this year! And my TBR pile remains taller than myself. 😉