Films, Poems and Currently Reading Roundup and Review Post [02/06]

JONAS (2018) | lgbt+, french, drama

Jonas [aka I Am Jonas] is a gut-punching, haunting addition to lgbt+ films. The film follows the eponymous main character Jonas after he’s arrested on night out at a club, Boys. One of the police officers knows him from school and they reminisce for a little while in the back of the car. The film then begins flashing from the past to the present and we learn how Jonas ended up so angry and adrift. We see Jonas as a teenager meeting Nathan, a new boy in school. They quickly fall in love and, despite homophobic peers, start a relationship that’s kind, sweet and supported by Nathan’s mother, who also welcomes Jonas into her home.

Back in the present, Jonas follows a man around the city, keeping his distance until he goes into a hotel where the man works. They talk a little. The man doesn’t know him, but it’s clear Jonas knows the man. After setting off the smoke alarm in his room and getting kicked out, the pair start to talk in the lobby. When Jonas is invited to go drinking, he accepts, and we slowly start to learn more.

The story moves along with slow determination. There’s clearly some mystery to be unfolded. This is definitely a heavy kind of drama. Prepare for tears. I do recommend it, though. Félix Maritaud is an incredible actor and I really want to see him in more films! A very well done film over all.

Mr. Right (2015) | action, comedy, romance

Okay, I honestly really liked this one. It’s silly and over the top and implausible and ridiculously good fun, and it is totally worth a watch! The movie follows Martha (played by Anna Kendrick), a risk-seeking woman who’s allergic to good advice and wise decisions, and Francis (played by Sam Rockwell), a notorious killer for hire, apparently (?) and former spy, allegedly (?). Basically, you’re not sure what’s up with Francis for most of the movie, or whether he’s good or bad, but he’s clearly had a lot of training and is good at dancing and has enemies coming out of his ears. Oh, and he wears a clown nose. You’re just not told why for a good bit. You only know that he’s kind to Martha and completely honest with her. (She thinks he’s joking when he talks about his job and how he got his scar.)

I think what I liked so much about this one was how honest and straight to the point all the characters were. There was no side-stepping around topics or slow, predictable build up. It’s kind of like when you’re watching a movie about someone first learning about magic and they keep denying it and you’re like, c’mon, just believe in it already. This movie isn’t fantasy, it’s action, but it’s great that the characters just jump straight to the point.

Martha and Francis are clearly made for each other (and clearly on a frequency that no one in their lives finds normal), but they suit each other. And their chemistry is fantastic. If you like fun, romance and action, I recommend giving this one a shot!

POEMS POEMS POEMS (/◕ヮ◕)/ Seriously, why don’t I read poetry more often? I’ve read so many poems this weekend and I have missed poetry. *chef’s kiss* These poems are all from Uncanny Magazine Issue 21.

‘Found Discarded: A Love Poem, Questionably Addressed’ by Cassandra Khaw was absolutely breath-taking.

The Greeks believed
that a human being
is one entity unseamed at the spine,
opened at the breastbone, parted at
the lips, which is why we spend all our lives pressing
together at the hips, at the fingertips

RIGHT?! How lush. I’m in awe. Read it here.

‘The Fairies in the Crawlspace’ by Beth Cato is so dark and twisted and really, really well done. If you like Grimm’s faerie tales, this one is for you.

the fairies needed no web
to snare the girl

Read it here.

די ירושה by Sonya Taaffe is short and poignant. I really liked it!

History drops a hot potato in your hands,
tells you to walk uphill with it, both ways.

Read it here.

I also quite liked ‘The Sea Never Says It Loves You’ by Fran Wilde. Poems about the sea are some of my favourites.

But the water is warm and the salt spray tastes your lips
And you say yes.

Read it here.

I hope everyone has a lovely week. Stay safe out there, my friends.

Show Review: Le Bazar de la Charité [2019]

STOP WHATEVER YOU’RE DOING AND WATCH THIS ONE. Le Bazar de la Charité is the best thing I have seen in a while. (I say that a lot, but somehow it always happens to be true??) But seriously, guys, this one is amazing. Now, that said, it is really hard to watch in parts, so go into it prepared, but it’s seriously worth it. It’s a historical costume drama set at the end of the nineteenth century, but this is definitely a show for everyone. It’s on Netflix as Bonfire of Destiny in most places, I think.

The miniseries follows the lives of three women affected by the (historical event) fire at the Bazar de la Charité in 1897. It was a horrible accident that killed over 120 people. It’s so heartbreaking. I read a bit of the case after watching episode one and learned that it was one of the first instances where dental records were used in forensics. I had no idea. My heart just breaks for all the victims.

The characters in the show are Adrienne de Lenverpré (played by Audrey Fleurot), Rose Rivière (played by Julie de Bona), Alice de Jeansin (played by Camille Lou), Victor Minville (played by Victor Meutelet), Jean Rivière (played by Aurélien Wiik) and Marc-Antoine de Lenverpré (played by Gilbert Melki). So basically, three women and the men in their lives. There’s a good number of background characters as well, and it’s wonderful how much character development they all get. But, back to the main ladies, Adrienne is trying to leave her husband Marc-Antoine, because he’s an absolute psycho; Alice is planning to marry Julien, a really, really rich man; and Rose, who’s Alice’s best friend, is married to the wonderful, lovely, fabulous Jean, and they’re planning on moving to New York. Now, here cometh the spoilers, ye have been warned.

The day of the fire, Adrienne was planning on leaving Marc-Antoine and running away with her daughter. She’s been sleeping with Hugues Chaville in secret and hates her husband (which is good, because he’s the worst). Marc-Antoine figures it out, unfortunately, and sends Adrienne’s daughter off to boarding school and then tells Adrienne that if she doesn’t stop the divorce proceedings, she’ll never see her daughter again. (Like I said, the worst.) He then sends Adrienne off to the bazaar and tells her to act normally. Instead, she gets into a carriage with Hugues and disappears. (I cheered.)

At the same time, Alice is trying to figure out how to tell Rose that she and Jean are heading off to New York. Jean leaves her at the bazaar so that she can talk to Rose about it. He then leaves. Inside, Alice and Rose bump into Victor. Well, for Rose it’s literal. Victor picks her pocket easily, but then hands the bracelet back, calling her ‘your highness’ and clearly flirting with her. Rose calls him a cad. THEIR CHEMISTRY, GUYS.

The fire starts soon after the bazaar opens and soon it’s engulfed the whole warehouse, which has only one exit with a rotating door. I’m warning you now, guys, this scene is horrible. Heartbreakingly, devastatingly horrible. A lot of people die in the fire and the scene is hard to watch.

In the chaos, Julien leaves Alice behind and pushes Rose into the flames. He gets out. Alice witness the whole thing. Victor, who had been outside, decides to be an absolute hero and begins bashing in through the wall of the warehouse, trying to make a hole to get the rest of them out. He manages it. VICTOR IS A WALL SMASHING PRINCE AND MY PERSONAL HERO, OKAY? He gets the firefighters into the warehouse and manages to save Alice. He then doubles back to save more. GUYS.

Outside, Adrienne returns to the warehouse with Hugues and decides to use the moment to fake her death and escape from her abusive husband.

After the fire, Hugues takes her in and she pushes him to help her get her daughter back. Alice, meanwhile, refuses to forgive her fiancé for leaving her to die and, you know, shoving her best friend into the fire (I HATE HIM SO MUCH). She tells her father what happened, but instead of being a good person about it, he tells Alice she has to marry Julien because they’re going to be broke and Julien is rich. (Lovely. /s) Alice isn’t remotely amused and starts meeting up with Victor in secret. And Rose, the poor thing, wakes up in hospital badly burned. When it was revealed that she lived, I straight up started crying. Rose begs a women to get her husband, but instead, the woman takes her home and pretends she’s Odette, the women’s daughter. (Don’t get me started.) The woman, Madame Huchon (played by Josiane Balasko), forces Rose to stay and threatens to lock her up if she tells anyone with the truth. Huchon wants Rose to pretend to be Odette and raise Tomas, Odette’s son. (Messed up doesn’t cover it.)

What follows are probably some of the most anxiety-inducing episodes I have seen on television in a while. It’s only eight episodes long and I binged it. It also has a really, really satisfying ending. (I promise!) The characters are so wonderfully done and all the women are just amazing and the romances are on point! Victor and Alice’s chemistry is off the CHARTS; Adrienne and Hugues work together so well trying to save Camille, the daughter; and Jean and Rose are just so precious. There’s also a great mystery to the whole thing that involves a lot of the background characters and just adds an extra layer of intensity to it all. Célestin Hennion (played by Stéphane Guillon), who’s helping Victor and starts investigating Adrienne’s death, is another wonderful character.

I 100% recommend this to everyone! But most especially if you love romance, history and drama all tangled together with a dash of politics and mystery. Oh, and of course, forbidden love!

Review: Il était une seconde fois (2018)

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‘Relationships are all the same, but no one experiences them the same way.’

Il était une seconde fois, or Twice Upon a Time, centres around Vincent and Louise. It’s told out of order, switching back and forth between the past and the present. I did notice it switching from full screen to wide screen as well, so I think that was an intentional method to differentiate between the past and the present. If you don’t pay attention to that, though, it’s easy to get lost. The changes happen without warning.

**contains spoilers**

The series starts off with Vincent basically a drunken mess who’s spiralling into depression and destruction after the end of his relationship with Louise. Over the course of the series, you find out that Vincent and Louise met one night in a pub and instantly hit it off. They agree neither wants a relationship but their chemistry is undeniable and they get into a relationship despite Louise having an unfinished relationship with James, and Vincent still seeing the mother of his son.

One day, a postman leaves a box, ‘the cube’, with Vincent. It’s quite literally just a box. When he’s trying to figure out what it does, he realises the box doesn’t have a back and comes out on the other side nine months in the past with his relationship still intact.

In both timelines, Louise struggles with opening up to Vincent after a traumatic event in her last relationship has left her reeling. It’s revealed later that she was having an affair with a married man and when the wife found out, she jumped in front of a train with Louise there, riddling her with guilt for the rest of her life. 

Madly in love with Louise and wanting to fix their relationship, he goes back and forth between the past with Louise and the present with his son, not wanting to lose either. His inability to pick one leads to both sides missing him and wondering where he’s been for days on end. Louise tolerates it for a time, listening to his ‘story’ about time travel and viewing it as something like method acting for writers. The only person who believes Vincent is his brother, a man struggling with schizophrenia.

In the present, the postman who left the cube keeps stalking him to get the box back, asking Vincent if he can search his house, his car, and generally just being weird. There are a few others who keep up the weirdness and trying to figure out who wants what and why is difficult. The background of the cube is never really explained outside of his brother making a few ideas about light and photons. And there are background figures trying to get the cube back from Vincent, too, but other than a few lines, these characters aren’t delved into. It leaves you with quite a few questions, although I think the point of the series was to make an existential statement rather than a scientific drama.

Overall the series is quite interesting, and Gaspard Ulliel and Freya Mavor have amazing chemistry and their acting is perfection, but I do wish it’d been a few episodes longer, told a little less convolutedly, and the science fiction/time travel explained more.